Shepard Fairey's work and practice disrupts the distinction between fine and commercial art. He has become widely known since the 2008 US presidential election for his Barack Obama “Hope” and Inauguration poster that hangs at the National Portrait Gallery in Washington DC. Fairey rose to prominence in the early 1990s, through the dispersion of posters and stickers that were labeled as “Andre the Giant has a Posse” which would later relate to his Obey Giant Campaign. Today the work is now regarded as an international phenomenon, having changed the language between art and the urban landscape.
Fairey sits on the advisory board of ‘Reaching to Embrace the Arts’, a nonprofit organization that provides art supplies to priority schools; and in 2007, he joined the board of the ‘Music Is Revolution Foundation’, a nonprofit organization that supports music education for public schools and for which he created a logo. In 2014, Fairey painted a towering mural paying tribute to Nelson Mandela and the 25th anniversary of the Purple Rain Protest in Johannesburg, overlooking the Nelson Mandela Bridge. He has always been open about controversial social and political topics, and often creates or donates artwork in order to promote awareness for various social issues.
Fairey's works have been exhibited in numerous public and private institutions, including the Victoria and Albert Museum in London, the Smithsonian Museum, and the Museum of Modern Art in New York City, the Los Angeles County Museum of Art, the Virginia Museum of Fine Arts in Richmond, the Museum of Contemporary Art San Diego and the Boston Institute of Contemporary Art.
Shepard Fairey
Wrong Path, 2017
Stencil, silkscreen, and collage on an oversized canvas
175h x 360w in
“The way I make art, the way a lot of people make art, is as an extension of language and communication, where references are incredibly important.”
— SHEPARD FAIREY
Selected Work
Shepard Fairey
Wrong Path, 2018
Silkscreen and Mixed Media Collage on Paper, HPM
Edition of 12
34h x 48w in
Exhibitions and Projects
Shepard Fairey
Backward Forward
September 25, 2022 — July 23, 2023We Used To Gather
Shepard Fairey
Salad Days 1989-1999
June 16, 2018 — October 7, 2018Shepard Fairey
Damaged
November 11, 2017 — December 17, 2017Shepard Fairey and How&Nosm
Peace and Justice Lotus
Shepard Fairey
Printed Matter
May 22, 2015 — August 15, 2015
Press
March 4, 2021
Shepard Fairey talks bringing his Middle East-inspired work to Dubai
Esquire Middle East
October 23, 2020
Shepard Fairey—creator of famous Obama 'Hope' poster—makes new Time cover image ahead of US election
The Art Newspaper
April 16, 2020
‘Hope’ Artist Shepard Fairey Has Made a New Series of Freely Downloadable Posters to Celebrate the Bravery of Healthcare Workers
Artnet News
December 19, 2019
Shepard Fairey Thinks Streetwear Has Gotten As Silly As A Duct-Taped Banana
Interview Magazine
November 6, 2019
Shepard Fairey Looks Back at 30 Years of Dissent—and Forward to the Coming Election
Los Angeles Magazine
July 9, 2018
How Punk Influenced Shepard Fairey – Formative Years of Obey Giant in Michigan
Widewalls
November 11, 2017
Shepard Fairey Delivers Hope in Damaged Times!
Huffington Post
November 3, 2017
After ‘Hope,’ and Lawsuit, Shepard Fairey Tries Damage Control
The New York Times
February 23, 2017
An Interview with Shepard Fairey
Huffington Post
April 27, 2010
Shepard Fairey
Interview Magazine